In the heart of weekday television, a captivating teledrama named Kolam Kuttama has not only graced screens with entertainment but has also served as a poignant reminder of the rich theatrical artistry of Sri Lanka.
The teledrama unfolds the vibrant heritage of the Low Country Dance genre, showcasing the country’s centuries-old endemic dance traditions of puppetry (Rukada) and Kolam (Mask) dance drama. It immerses the viewers in the cultural legacy of Rukada and Kolam drama that has been popular in the country’s maritime areas from Panadura to Tangalle, especially Ambalangoda, Mirissa, Benthara and Matara and in the interior areas such as Raigam Korale, Hokandara and Siyane Koralaye Gampaha.
It takes the viewers on a mesmerising journey through the cultural legacy of the Southern regions as it navigates through the mangrove-lined waterways of the Madu Ganga River, exploring the diverse possibilities of converging culture, the traditional performing arts and environment for developing tourism.
With its numerous episodes, Kolam Kuttama masterfully portrays the intelligence and proud way of life of the Gurunnanses, the masters of these performing arts.
Challenge
The narrative, crafted by screenwriter Saddha Mangala Suriyabandara and skillfully directed by Jayaprakash Sivagurunathan, unfolds the unwavering commitment of the Kolam and Rukada masters to protect the authenticity of their art, to echo their original identity.
As the storyline delves into the lives of characters such as Sabeetha (Nirosha Thalagala), daughter of Kolam master Gunapala Gurunnanse (Sisira Thadila), and Ranmuthu (Nino Araliya), son of Rukada master Sumanapala Gurunnanse (Nalin Pradeep Udawela), it subtly raises questions about the responsibility of the authorities in safeguarding traditional Rukada and Kolam artistry.
The teledrama prompts viewers to ponder whether a daughter of Kolam master (Sabeetha) should be making a living by serving tea at a kiosk, or if the son of a Rukada Master (Ranmuthu) should be tempted to steal his father’s puppets.
These questions, though silent, carry a powerful resonance, challenging the status quo and encouraging a deeper reflection on cultural preservation.
Cultural slumber
Kolam Kuttama emerges as a cultural awakening, stirring the viewers from a potential cultural slumber. It advocates for the revitalisation of traditional theatrical art forms, emphasizing their potential role in promoting tourism in Sri Lanka.
The teledrama suggests that the responsibility of preserving these art forms should not solely rest on state authorities but extends to local businessmen and leaders.
In the wake of Kolam Kuttama’s cultural revelations, a pressing question emerges: Who will step up to support and promote traditional theatrical art in the country? The drama, with its intricate narrative, offers a nuanced answer, challenging conventional expectations.
Dolapeelle’s redemption
The teledrama advocates for active involvement from local businessmen to drive the preservation of traditional arts. Notably, hotelier Dolapeelle (Chaminda Samapath Jayaweera) takes centre stage, inadvertently becoming a champion for the cause. His accidental donation of Rs.500,000 during the Kolam Maduwa event shifts the narrative, revealing a transformative journey from sinister intentions to genuine support for the artists.
Saddha Mangala Suriyabandara strategically positions Dolapeelle as a potential political candidate in an upcoming election. By portraying him as the man who willingly invests in protecting Kolam performing arts, the teledrama reshapes his image. Dolapeelle’s acknowledgment that the priceless Kolam masks belong to the dedicated artists further solidifies his newfound commitment.
Protecting cultural values
The unfolding events in Kolam Kuttama emphasize a profound truth – the people resonate with leaders who safeguard their cultural values. Dolapeelle’s transformation into a cultural benefactor aligns with the viewers’ desire for leaders who prioritise and protect the nation’s cultural heritage.
The teledrama subtly urges characters such as Senal, the rich in society and the public to take an active role in uplifting cultural performing arts. The narrative also reinforces the idea that cultural responsibility lies largely within the community.
Beyond political initiatives
Kolam Kuttama challenges the notion that government departments alone should bear the responsibility for cultural preservation. The storyline encourages private initiatives and the active participation of individuals, emphasizing that the onus is on the people to safeguard and uplift their rich cultural performing arts on an economic footing.
The teledrama inspires a collective effort to preserve Sri Lanka’s cultural legacy.
Casting brilliance
As the spotlight turns to the acting prowess of the Kolam Kuttama cast, it’s impossible not to commend the superb casting choices that have enriched it.
In a rare case, the secondary or minor cast members have delivered performances that go beyond expectations, seamlessly complementing the impressive main cast. The professionalism of the entire ensemble is evident, undoubtedly guided by the expert direction that permeates the production.
Chuta
Mauli Ferdinando emerges as a standout performer, leaving an indelible mark with his portrayal of Chuta. The character’s complexities, including being a jobless youth losing love and respect, are navigated with apparent ease through Mauli’s flawless and natural acting. His outstanding performance, particularly during Minimuthu’s absence, showcases a unique style that is impossible to underestimate.
Anuradha Edirisinghe, portraying Hiruni, deserves special acclaim for her fearless and impactful acting. Her ability to embody the character with conviction adds special value to the teledrama.
It not only excels in storytelling but also stands out for the commendable performances of its cast.
The teledrama also underscores the significance of traditional puppetry and Kolam dance drama through its educational content, setting the stage for future prospects. Notable performances by both main and supporting cast members contribute to the overall success of “Kolam Kuttama.”
Cinematography
The visual allure of Kolam Kuttama is not confined to its narrative alone; the film shooting in the river during the earlier episodes stands out. However, as the series progresses, one might ponder whether the crew’s initial vigour sustained itself or if a hint of complacency crept in.
Kolam Kuttama suggests that not just the art form, that special attention be paid to uplift the lives of the artistes so that they are able to preserve them for future generations and that they will be able to function with dignity and deserving recognition. It leaves viewers with a profound message — the preservation of cultural heritage is everyone’s responsibility.
The teledrama leaves an indelible mark, not just as a compelling piece of entertainment but as a beacon calling for the protection and promotion of the theatrical heritage. Kolam Kuttama stands as a testament to the enduring power of storytelling to ignite change and preserve traditions for generations to come.
Ensemble
The seasoned performances of senior actors such as Nalin Pradeep Udawela, Sampath Jayaweera, Rahal Bulathsinhala, Mali Jayaweerage as Hichchi nona, Sarath Kulanga as Sirimanne the music master, Mayura Kanchana as Sabeetha’s husband Sena, and Chaminda Batukotuwa as Hokandara have undeniably fortified the teledrama.
Their seasoned expertise adds a layer of depth and authenticity to the storyline, contributing significantly to the success of the production.
The success of Kolam Kuttama doesn’t rest solely on the shoulders of its senior actors; the entire ensemble has played a crucial role. Sujani Maduwanthi as Bhagya, Nilmini Kottegoda as Latha, Manoj Yalegama as Eethipala, Gandara Thurya Sanka as Hinni Mahaththaya, and others have delivered praiseworthy performances, enriching the overall tapestry of the teledrama.
Educational
Kolam Kuttama emerges as a production that could hardly falter, standing strong on the pillars of its educational content on traditional puppetry and Kolam dances. The careful curation of the narrative, coupled with the stellar performances of the cast, sets the teledrama on a trajectory that bodes well for its future prospects.
A diverse range of talents contributed to the success of Kolam Kuttama. Anton Cooray as the School teacher, Nimal Jayasinghe, Thilan Warnajith, Madushan Hathlahawaththa, Duminda Sandaruwan, Maleesha Dakshina, Bhanuka Senadeera, Adithya Anuradanayake, Viraj Silva, Mithun Thilakaratne, Sajith Siyambalagoda, Thilini Kaushalya, Varushani Rajathewa, Genisha Dilrukshi, Sanduni Kaushalya, Devindi Kanchana, Dilini Weerasinghe, Sayuri Dissanayake, Raneesha Pathirana, Hiruni Dayaratne, Yashara Bandara, Keshi Rajapaksa, Anjali Jayasinghe, Sithara Kulatunga — each played a vital role in creating Kolam Kuttama.
