Being high and dry, aground and beached in my fervent and fervid imaginations, I was still struggling to coin a name for my imaginary sweetheart. With such an incredibly aroused strain and shear, ultimately, I won and coined the name which I cherish as “Dihen”. Dihen dwells in my well-fortified citadel of thoughts that give rise to the creation of distinctive, gripping and riveting tales that may steal his scrutiny and assiduity. Albeit predominantly criticised and dismissed by realists, the aspect of living in imaginations can be a pervasive function of human experience for people who call themselves bibliophiles.
Dihen perpetually reminds me of the fact that imagination becomes a significant element in the event of traversing and criss-crossing our own convoluted and composite sexuality. Fantasising in love may also be a specific form of guided imagery of which outcome may be benign and constructive in assisting the brain in order to evoke positive images. Albeit Dihen is my imaginary sweetheart who I may prefer calling my protagonist in an intended fiction, I find that sometimes I am arrested by the writer’s block. The writer’s block has never been a strange phenomenon among the anthology of authors and dramaturgy of playwrights.
As declared by Mike Rose, a research professor of social research methodology in the UCLA Graduate School of Education and Information Studies, writer’s block can be defined as “inability to begin or continue writing for reasons other than a lack of basic skill or commitment”. Histroy notes that almost every writer has suffered from the writer’s block down the line and there would be counterparts would also not be an exception.As the writer’s block has been a documented issue within the world of writing, it is also known that even the award winning writing professionals in the calibre of Ernest Hemingway and J.K. Rowling had also struggled with this particular issue. Whilst forgiving myself over my personal suffering from the writer’s block, I adore different channels of thought that different writer’s may uphold. Some writers are inspired by nature, whilst lovebecomes the source of inspiration for some others. There involves such a tremendous sense of glamour in every writer’s imagination; they see and feel the charm, grace and allure of the nature, the rapture and euphoria involved with love, buoyancy and exhilaration of wit and whimsy, the deepness of intimacy and affinity, woe, and desolation of loss as well as that of the air of benign affability and genialityof nostalgia.
Preserving my imaginary sweetheart Dihen in my mind, I take up with the intriguing and spellbinding exertion of writing a fiction that is fuelled by a flock of memories and imaginations. I often find that such an endeavour enriched with an abundance of imaginations is a journey into the domain of imaginative faculty that unlatch and unravel a countless number of personal and cognitive benefits. Creating a fictional world with my much adorned imaginary sweetheart Dihen allows my treasured imaginations to wing its way to new heights. Crafting lucid, glowing and evocative settings and multiplex personas gives my imaginary protagonist to envisage his prospects beyond the confines of reality.
Developing my plot centrally on my imaginary sweetheart Dihen paves the way for an emotional catharsis; this ensures a secured and protective space where I scrutinise and delve into the process of my bubbly and cheerful feelings. However, this specific process of writing fiction has often been rather challenging. The hurdles that you encounter during the process of crafting words in your fiction test your grit and tenacity. Meanwhile, despite the strain and toil engulfed with the writer’s block, writing fictions is one of the constructive and productive means of escapism through which you can retire from the stress and pressures of reality. Last but not least, writing fictions is a gratifying and edifying pursuit that has the potential of offering a myriad of opportunities and benefits.
