If you have yet to experience the mesmerising performances of the Ranwala Balakaya, you’re missing out on a cultural feast that stirs the soul and celebrates Sri Lanka’s rich heritage. As a fan of traditional arts, I was part of the packed audience at their recent showcase of Sri Lankan Jana Gee (folk songs), a cultural event with high expectations—and I was not disappointed.
From the moment the first note was struck, it became clear that this was more than just a performance; it was an immersive journey into the heart of Sri Lanka’s cultural tapestry.
On this mesmerising journey the RanwalaBalakaya introduces the audience to the caste-based folk poems, known as Jana Kavi, that have a rich and significant history in Sri Lanka. Having originated as shared expressions within different caste groups these communal songs portray the daily work activities of Sri Lankan peasants. They include specific songs for various occupations such as farming, cart driving, and mining. These folk poems served as a means of passing the time and effort during daily tasks and were sung to alleviate feelings of loneliness, sadness, and tiredness. Since Sri Lanka is an agriculture-based country, many songs were sung during collective efforts to assist each other in the fields, including Nelum Kavi, Goyam Kavi, and Kamath Kavi. Traditional open-air dramas, such as Kolam, Sokari, or Nadagam, have played a vital role in making folk songs remain a popular form of cultural expression. These ancient rites that date back to 1400 A.D. are rarely performed in contemporary Sri Lanka,
The Ranwala Balakaya, which won the Best Performing Folk Song Trophy at the International Folksong Festival in China in 2001, has long been revered for its unwavering commitment to preserving and promoting traditional Sri Lankan music and dance. Their latest performances on Jana Gee stand as a testament to this noble mission charted by its founder, Maestro Lionel Ranwala.
A Symphony of Authenticity
One cannot speak about the Ranwala Balakaya without acknowledging their impeccable attention to authenticity. The performers donned traditional attire that vividly represented various regions and communities within Sri Lanka. Each costume seemed meticulously chosen to resonate with specific songs, enhancing not just visual appeal but also historical context.
The musical arrangements were equally compelling. Using authentic instruments such as the Geta Bera and Thammattan transported the audience back in time. The harmony between modern techniques and traditional sounds created a timeless and contemporary auditory experience. The finale, a unique drumming performance by Rehan Senadeera and Neel Senanayake, left an indelible mark in the hearts and minds of the audience and perhaps reverberated throughout the City of Angeles.
Vocal brilliance
What truly sets these performances apart is the vocal prowess displayed by each performer. The singers showcased an extraordinary range and control over their voices, delivering everything from hauntingly beautiful melodies to energetic chants with equal finesse.
Their renditions captured the essence of Jana Gee, which is often characterised by emotional depth and narrative richness, as demonstrated by the vocal prowess of Amandya Uthpallie, who sang and danced to the tune of “Rajinata Mama Anda.”and “ Gama Auwlanyang;” and the richness of the voice of Nadun Karunarathne,who opened the show and signaled the audience that it would be one remarkable evening.
Equally memorable were the other items steeped in history and spiritual significance. The emotive delivery left many in the audience visibly moved, a testament to how deeply these songs can touch one’s soul when performed with such skill.
Narrative depth
Jana Gee are not merely songs; they are stories passed down through generations, encapsulating folklore, moral lessons, and historical events. The Ranwala Balakaya excels in bringing these narratives to life through theatrical elements interwoven into their musical performances.
During one segment focused on ancient village life, performers enacted scenes seamlessly transitioning into song—illustrating how music is interlaced with daily activities like farming or celebrating festivals.
This approach provided valuable context for those unfamiliar with these traditions while enriching the experience for those who grew up hearing these tales.
Two acts were designed to demonstrate the hilarity and dynamism ingrained in such artistry as brilliantly depicted by Neel Senanayake as Salupaliya Yaka and Priyantha Seneviratne as the emissary of the Yak Rajuwaraya.
Community engagement
Another noteworthy aspect is how inclusive these performances are designed to be audience participation is encouraged at various points throughout the show, whether through clapping along or joining in simple chorus lines, which fosters a sense of community and shared cultural pride.
Maestro Lionel Ranwala performed a yeoman service by establishing the Ranwala Balakaya and forming two groups, one for adults and the other for children. Since his demise, his son Sahan Ranwala, an attorney with multiple qualifications who could otherwise turn to a very lucrative legal practice, has turned his attention to continuing the historical work his father has revived. He is a multitalented actor and narrator who demonstrated theatrical genius while playing several roles and narrating the production, placing the historical context of each act and enhancing the audience’s appreciation.
Appraisal
Attending a Ranwala Balakaya performance on Sri Lankan Jana Gee is not just an evening out; it’s an enriching voyage through time that leaves you profoundly connected to your roots or newly introduced to them in ways you never imagined possible. Their dedication to authenticity combined with modern-day relevance creates an unparalleled artistic experience.
If you have yet to witness one of their spellbinding shows firsthand, make it a point not just as an entertainment act but also as an homage paid to traditional Sri Lankan culture.
The talented cast of musicians and dancers also included Kasun Dambagolla, Sachinathani Kaushalya, and Dulan Abeyaratne, while Medini Rathnayake and Sajee Perera emceed the event. Kudos to Thusitha De. Silva and T&S Productions for sponsoring the U.S. tour of Ranwala Balakaya.
Reviewed by Nandi Jasentuliyana, Former Deputy Director-General, United Nations.
